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Micah Clasper-Torch
  • Portfolio
  • Preorder my book
  • About
    • About Me
    • Punch Needle Fashion
    • Press & Links
    • Contact
  • Blog
  • Events
    • ArtShare x Angel City
    • CONSTRUCT: Loud By Nature
  • Online Courses
    • Punch Needle Academy
    • Domestika
  • PNW

What a year

Well, I wrote this post yesterday and since then here in the US we've experienced an attempted coup, as well as a historic win in our Georgia Senate runoffs. This 2020 hangover looks like it's going to last at least a couple more weeks. Since I don't have the energy to completely re-write this (and as it's meant to be a December recap) please bear with me. I'll need some time to process everything that's just taken place and get back to you in my January newsletter later this month...

This email marks an entire year of consistent writing, and it could be the first New Years resolution I've managed to keep going for a full 12 months. Last January when I sent my first newsletter, the world looked very different in so many ways, and I closed that newsletter by saying, "If January is any indication, 2020 is going to be filled with new work and big ideas, and I can't wait to share it all with you."  As it turns out, January was an extremely poor indication of anything that I would experience in 2020 except for new work and big ideas, which I have indeed continued to share with you, despite everything. 

December began in a complete whirlwind, trying to wrap up the year so I could take my first real break from work in 12 months, and ended in complete sloth, trying to gear myself up for going back to work. This was my first time spending the holidays in Los Angeles, or anywhere away from my family and our annual traditions on the East Coast for that matter. It was certainly a different experience trying to get into the Christmas spirit in 70 degree weather surrounded by palm trees, but a tiny fir tree, Christmas music and a visit from my sister eventually did the trick.

I love the beginning of a new year, and the opportunity it brings to reflect on the past 12 months and to dream around all the possibilities for what's to come. It's a chance to take a step back and look at the bigger picture.

Here are a few of the biggest lessons I learned in 2020:

  • People are extremely resilient. Despite the ups and downs of 2020 and the overall fog of uncertainty, sadness and stress we've all felt, people all across the world continued on, made music, created art, supported one another, and accomplished some amazing things. The way that (the majority of) adults and children have adapted gracefully to mask wearing, canceled plans, stay at home orders with ever-changing rules, new ways of working, going to school, ordering food, supporting local businesses, connecting with others, etc... is truly incredible. Though we're still in the thick of it, I think we should take a moment to acknowledge our collective resilience and adaptability.

  • Everyone handles stress and grief differently. This year was difficult for everyone, and it showed me (on a national and global scale) how different people react to stress and grief. I found that I channeled my stress about things outside my control, into my work -- the routine and clear "to dos" was comforting. As a result, a got a ton accomplished, but I also experienced burnout, and didn't do a great job at building balance and self-care into my life. This is something I'd like to do better in the new year.

  • When you remove the distractions, things become clear (sometimes painfully so). This past year, thanks to Covid, there were significantly fewer ways to numb and distract ourselves from the reality of our lives. It shone an uncomfortable spotlight on all sorts of areas that we don't always like to engage with. Whether that is our past choices, our current relationships, our work, our habits, our society or government -- there were no distractions from the reality of ourselves and our world. It allowed me to examine the habits I've gotten into, examine the ways I have yet to grow, and take a harsh look at the country that I live in. It also taught me to look at my own ambitions and dreams for my creative pursuits in a new light. The exploration of what this means for my work is something I will be continuing into the new year.

  • We experience the beauty and the horror of life at the same time. If there's anything this year has taught me it's just how complex, messy, beautiful, ugly, sad and joyful life is -- all at once. It makes me think of Neils Bohr's quote about quantum mechanics that "The opposite of a profound truth may very well be another profound truth", and while I'm not sure he meant it in this same way, I find this to sum up 2020 for me. This year was awful. This year was also wonderful. Both are profoundly true, which makes it very hard to know how to feel at any given time.  This year was like a sandwich, comprised of layers of experience -- anxiety, anguish, grief, hard work, joy, delight and beauty. Not in phases, just all of these things, all at once, every day, in every bite. How do we engage with these conflicting truths at the same time? How do we hold space for all of it? It's something I'm thinking about.


Thank you for reading along this past year! With all the content we're bombarded with, I truly appreciate you taking the time to check in with this blog. I'm looking forward to sharing new work, inspiration, thoughts and dreams with you in 2021.

To a better year ahead…

xx

tags: new year, reflection
Wednesday 01.06.21
Posted by Micah Clasper-Torch
 

Adjusting to a new normal

April was a busy month. Despite all the changes and uncertainty, the weeks have flown by, and daily routines have been keeping me grounded.

A big focus of mine this past month was launching Punch Needle World, an online community and informational resource for Punch Needle Rug Hooking. Punch needle has become a central part of my work as an artist and I am passionate about its history, and invested in keeping the traditional technique alive even as I work to push it in new directions as an art form. Punch Needle World is my way to give back, elevate the community of artists around me, and support new creatives interested in learning more about this craft. (If you're interested in learning more, check out the website and feel free to join the Instagram community or mailing list to keep up with that endeavor!)

On a more personal note, this month has been centered around adjusting to and creating a "new normal". Morning routines and evening routines have been key to keeping me on track. Coffee and morning walks, delicious dinners and weekly conversations with friends have been good for the soul. 

A couple weeks ago, I broke the lease on my new art studio that I just moved into this past December. I only had a few months to work from the space before COVID-19 made getting downtown and safely working within a large creative office building impossible. Moving into that space was a big step for me, and while it was hard to say goodbye so quickly, I know this is one of the best ways I can prepare myself as an artist and solo entrepreneur to ride things out for the months to come.

Some things I have been thinking about these days:
 

  • Adaptability. In the midst of so much uncertainty, I have been thinking a lot about the importance (now more than ever) of being flexible and being able to adapt to new situations. Humans are incredibly resilient, but many people have a natural aversion to change when faced with it head on. While it might seem scary, I think there is value in leaning into the change - even being malleable enough to let it guide our course - rather than resisting and insisting on the quickest return to "the way things were".  Rather than asking "how can we regain what we have lost", maybe we should ask "what new opportunities might this open up"?  The current situation will shape our world for years to come, in ways that we can not yet imagine. As an artist, a creative and an entrepreneur, I believe it is prudent that we begin thinking today about how we can best position ourselves to adapt and stay flexible over the next 2-3 years -- and beyond.  

  • How current events, necessity, influences art. In a similar vein, I have been thinking a lot about how current events influence art, and how restriction and necessity often lead to incredible things. This is very exciting to me as an artist! Sometimes being required to work with restrictions leads to creativity that would have been impossible otherwise. Traditional Rug Hooking, Korean Jogakbo and the quilts of Gees Bend are all art forms that evolved out of necessity and restriction (ie. poverty). The women who pioneered these craft movements began simply, by using what they had at their disposal to create functional personal items that were popular during their time -- floor coverings, traditional wrapping cloth, and quilts.  I am finding myself increasingly drawn to this type of work, and wondering what shape my own work might take out of necessity in the coming years.

 Looking forward,
xx

tags: life, covid-19, reflection, adaptability, uncertainty
Saturday 05.02.20
Posted by Micah Clasper-Torch
 

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